San Francisco: The Book Club of California, 1985. First edition. Hardcover. Title and some reproductions in color. Divisional titles in red, marginal decorations in red and black. Inserts with some initials and decorations in color... More
London: Mansell, 1973. First edition. Hardcover. 256 p. Edited, with introductions, by Hugh Amory. London: Mansell with Sotheby Parke Bernet Publications, 1973. Reproduces in facsimile the catalogues of the libraries of Francis Atterbury, Lady Mary... More
Detroit: Gale Research Company, 1981. First edition. Hardcover. Original blue and black buckram binding, with gilt titles. Issued without a dust jacket. A crisp and clean, very good copy. More
London: Mansell, 1975. First edition. Hardcover. 601 p. Edited, with introductions, by James Fullarton Arnott. London: Mansell with Sotheby Parke Bernet Publications, 1975. Reproduces in facsimile the catalogues of the libraries of David Garrick, John... More
New York: The Ronald Press Company, 1958. Hardcover. Profusely illustrated. Second printing. "Excellent pictorial demonstration of the latest and most practical methods of binding magazine collections, books, and manuscripts." Original green cloth binding, with black... More
Culver City, California: The Center for Sacred Psychology, 1991. First Edition. Paperback. Textual illustrations. Culver City, California: The Center for Sacred Psychology, 1991. First edition. Using Jungian themes, the original texts, and first-hand accounts of... More
Los Angeles: The Ward Ritchie Press, 1953. First Edition. Hardcover. Limited to 350 copies. Octavo. Original brown cloth binding, with gilt stamping. Issued without a dust jacket. Better than very good. More
Wilmington: Delaware Art Museum, 2011. Trade paperback. The companion volume to the 2011-12 exhibition at the Delaware Art Museum and the Norman Rockwell Museum. Profusely illustrated, largely in color. Quarto. Original pictorial paper wrappers. A.... More
London: The Uffculme Press, 1974. First Edition. Hardcover. Eric Fraser’s work as an illustrator and designer is at once varied and highly distinctive. Developing an assured technique, he could adapt his style to almost any..... More
New York: Burt Franklin, 1970. Hardcover. 40 p. With an Introduction by E. Gordon Duff. 40 plates. Facsimile reprint of the 1896 first edition. Original cloth binding, with silver titles. Issued without a dust jacket. A near fine copy. More
Cambridge: Cambridge University Press, 1998. Soft cover. 300 p. Original paper wrappers. A very good copy. More
Berkeley: University of California Press, 1993. First edition. Hardcover. 365 p. Numerous textual illustrations. Presentation copy, inscribed by Frugé to the distinguished Southern California historian Doyce B. Nunis, Jr. opposite the title page. Octavo. Original... More
London: Routledge & Kegan Paul, 1967. First edition. Hardcover. 286 p. Octavo. Original burgundy buckram binding, with gilt titles. A very good copy. More
New York: Kenneth Schwartz, 1995. Hardcover. 30th Anniversary Edition, #292 of 2,500 copies signed by the author and publisher. "Hamilton unfolds the incredible story of the six robot signatures of President John F. Kennedy, describing... More
New York: Paul S. Eriksson, 1968. First Edition. Hardcover. The first in a series of books recounting Hamilton's adventures in the autograph trade. "In a field in which uncertainty would be a passport to oblivion... More
Princeton: Princeton University Press, 1968. First Edition. Hardcover. A Catalogue of a Collection of American Books Illustrated for the most part with Woodcuts and Wood Engravings in the Princeton University Library, with an Introductory Sketch... More
London: Gregg Press Ltd, 1966. Hardcover. Facsimile of the 1825 first edition. Illustrated with engravings, biographical notices, and portraits, including five folding plates. A volume in the English Bibliographical Sources series. Octavo. Original burgundy cloth... More
Van Nuys, California: Richard J. Hoffman, 1985. First edition. Hardcover. 154 p. A culling of matrix fonts for line-casting machine setting: a printer's bouquet of types from the Printing Office of Richard Hoffman, Van Nuys... More
Santa Cruz, California: Quadq Press, 1983. First Edition. Hardcover. "The handmade paper pasted on boards for the cover is from Peter Papermaker, Santa Cruz. The larger Gene Holtan woodcuts are printed on mouldmade Nideggen from... More
London: The Chiswick Press, 1891. Second Edition, Enlarged and Classified. Hardcover. Small octavo. Original burgundy cloth binding, with gilt titles. Period previous owner's signature to the front flyleaf. Mild foxing to the fore-edge and the... More
Bowling Green, Ohio: Bowling Green State University Popular Press, 1987. First edition. Hardcover. 218 p. Octavo. Original tan cloth binding, with black titles. A fine copy in a fine dust jacket. More
London: Sampson Low, Marston & Company, Ltd., 1902. First edition. Hardcover. First edition, limited to 40 copies. Octavo. This copy has been rebound in one-half brown morocco over marbled paper-covered boards, with gilt titles and... More
Berkeley: Editions Koch, 2004. First Edition. Trade paperback. A series of essays by master letterpress printer Peter Koch; poet, translator, and typographer Robert Bringhurst; punchcutter, type designer, typefounder, and poet Dan Carr; master stonecutter and... More
New York: E.P. Dutton, 1989. First Edition. Hardcover. Sculptor, engraver, and one of the 20th century's greatest typographers, Gill (1882-1940) considered himself a craftsman, never an artist. A devout convert to Roman Catholicism, he believed... More
Berkeley and Los Angeles: University of California Press, 1945. First edition. Hardcover. A descriptive bibliography of American diaries and journals written before the American Civil War. From the library of Carl I. Wheat, with his... More